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Electro-Voice X-Line Advance X2 Sound Package Used, Second hand

Ref. code: 1.01.310

X2-212/90

The X2-212/90 from Electro-Voice is a two-way vertical line array loudspeaker can be used in a wide variety of applications where wide bandwidth, vertical and horizontal directivity control, and high efficiency are required in a compact cost-effective package.
For high frequencies, the X2-212/90 utilizes two (2) ND6A high-output large format 3-inch titanium compression drivers directly coupled to a pair of PDH Plane Wave Generators on a 90° waveguide optimized for uniform pattern control and smooth, linear response.
For low frequencies, the DVN3125 12-inch neodymium woofer was developed using Finite Element Analysis to optimize motor, suspension, and electrical design for very low distortion, high efficiency, and maximum intelligibility at high SPL.
The MBH effectively emulates the acoustic behavior of a double line of four (4) 3-inch point sources to deliver superior mid-band coupling while maintaining the efficiency, power, and bandwidth of a 12-inch transducer.The Bi-amp only X2-212/90 requires proprietary Electro-Voice FIR-Drive.
Electro-Voice FIR-Drive is the combination of brick wall crossovers, phase correction, FIR EQ, peak anticipation limiter and Thermal Limiter. These technologies yield superior, nearly inaudible transducer protection with linear summation, smooth off-axis response, and unparalleled acoustical performance over the critical vocal and instrument range regardless of array size.
The X2-212/90 is a premium solution for demanding live sound reinforcement and fixed-install applications. The vertical trapezoidal enclosure is constructed of weather-resistant birch and coated with EVCoat for enhanced durability. The enclosure features the IRS, a captive twist-lock multi-angle arraying system designed by Electro-Voice to significantly reduce loadin/load-out time of any size array.
IRS has been engineered with the flexibility to deploy a system using the two most common methods of array set-up:

  • Compression method by using a pull-up kit (Sold separately).
  • Fixed angles locked by using secondary rigging pins (Included).

X2-212/90 with IRS rigging is rated for use for up to 24 elements for normal arrays. LAPS 3 or higher (Line Array Prediction Software) accurately provides fast array configuration for coverage results, rigging details and allowed rigging configurations. It also provides information for the creation of steered/shaped subwoofer arrays.
The input panel provides dual Neutrik NL8 connectors for fast connectivity between loudspeakers. X2-212/90 is Bi-amp operation only.
The advanced acoustic and mechanical designs of X2 series loudspeakers, combined with LAPS 3, provide the tools and flexibility to easily design and deploy high performance vertical line array systems.

X12/128

The X-Line Advance X12-128 subwoofer produces the greatest low-frequency impact and performance EV has ever developed. It is truly a state-of-the-art compact cabinet that delivers more LF output in a smaller footprint than other subwoofers available today.
In addition to its extremely high output capability, the X12-128 is designed to acoustically match seamlessly with any X-Line Advance top cabinet as a ground stack subwoofer. LAPS 3 or higher (Line Array Prediction Software) accurately provides fast array configuration for coverage results. It also provides information for the creation of steered/shaped subwoofer arrays.
It offers superior configuration flexibility for easier system design and setup, making it the standout subwoofer choice for any larger-format live or installed audio application

Specifications:
  • High-output, high-impact dual 18 inch ground stack subwoofer system.
  • Dual front and rear signal connection points for flexibility in system configurations,including cardioid setup for increased focus of low-frequency output.
  • Compact cabinets with low-profile footprint, suitable for under-stage applications.
  • Super-high-output DVF4180 woofers for low distortion at extremely high SPLs.
  • 105 dB sensitivity (1 W/1 m half space); 141/147 dB maximum SPL (continuous/peak).

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Used Electro-Voice


Electro-Voice (commonly referred to as EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement.
As a subdivision of Telex Communications Inc. since February 1998, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations.The company merged with Telex Communications in 1998.
Prior to the merger, EV was owned by Mark IV Industries, Inc. through its subsidiary, Gulton Industries, Inc., and had manufacturing plants in Buchanan, Michigan, Newport, Tennessee, Sevierville, Tennessee and Gananoque, Ontario. Electro-Voice's headquarters were in Buchanan, Michigan until the merger with Telex Communications.
In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division.Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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