Can't find your Product?

Usedful Ltd offers a wide range of products, in varied quantities. However, in some cases we may not have them listed on our website on the day of your search. We pride ourselves on providing a tailor-made service for each individual customer.

Please use the form below or give us a call to ask for any items or extra quantities you may need, and a member of our devoted sales team will do their best to find what you can’t find.


Name *
E-Mail *
Phone number *
Quote *

Thank you for your interest!

Your message has been successfully sent.
One of our sales executive will contact you soon!

Used, but usedful AV equipment.

Search or browse our list of over 10,000 products.

Found in Categories

Found in Products

No results found with that criteria :(
ADVANCED SEARCH

Adamson Systems Engineering Y18-T21 Sound Package Used, Second hand

Ref. code: 1.01.380

Adamson Systems Engineering Y18

The Y-18 is a high power, 3 way line array featuring two patented Adamson mid/high drive modules.
The Adamson drive module has a co-axial entrance and a co-linear exit comprised of a high frequency sound chamber mounted within a mid frequency sound chamber. The drive module is powered by a proprietary 9" Kevlar mid and a JBL 2451 Compression Driver. Together, the drive module and trapezoidal cabinet design create a smooth, slightly curved, seamless wave front with no gaps between cabinets.

The Y-Axis has a defined coverage pattern of 100 degrees by 5 degrees at -3db down. The vertical coverage is determined by the number of cabinets added to the array. The Y-Axis comes complete with a sliding hinge rigging system with six one-degree increments you can achieve precise angular positioning by adjusting the extension of the sliding hinge while the front of the array remains closed.
Light aluminum dollies, and all the components for rigging the Y-Axis come standard. Aluminum rigging frames to support 16 or 24 Y-Axis are available as optional accessories.

Applications:
  • Live Concert Reproduction
  • Theaters
  • Houses of Worship
  • Large Clubs
Features:
  • Two Adamson AW18 18 Kevlar LF Drivers
  • Two JBL 2451 HF Drivers
  • Two Adamson Co-Linear Drive Modules
  • Two Adamson YX9 9" Kevlar Neodymium MF Drivers
  • Aluminum Dolly Board
  • Stainless/Aluminum Slide Hinge Rigging

Adamson Systems Engineering T21

The Adamson T21 Sub is an arrayable bass cabinet designed to provide superior sub-bass extension.
The T21 subwoofer incorporates the newly-developed Adamson Symmetrical Drive multi-layer 21" Kevlar driver.
The SD21 system employs a balanced spider suspension system with spiders at both ends of the coil assembly, resulting in extreme stability under high excursion. This double spider design utilizes a 6" dual voice coil and a powerful neodymium magnet to achieve superlative sensitivity.
The T21 Sub`s tuned enclosure is internally braced to minimize harmonics and distortion, and features innovative port geometry that increases efficiency, lowers turbulence and has reduced compression at high SPL. The T21 enclosure may be flown or stacked, and can be easily configured into an arc that will not shadow the main line array. The cabinet design includes an AIR? rigging system with captured flying hardware.

Specficatons:
  • Frequency Range (+/-3 dB)    36Hz - 193Hz
  • Frequency Range (-10 dB)     30Hz - 193Hz
  • Maximum Peak SPL   146.5 dB
  • Components LF          2x SD21 21" Kevlar Neodymium Sub-Bass Driver
  • Nominal Impedance LF          2x 2 Ω
  • Power Handling (AES / Peak) LF       2x 1500 / 6000 W
  • Rigging            
  • 4 sets captured rigging: Spring-loaded, machined aluminum
Connection:
  • 2x Speakon NL8
  • Height Front (mm / in)584.2 / 23
  • Width (mm / in)           1463.8 / 57.63
  • Depth (mm / in)           973.1 / 38.31
  • Weight (kg / lbs)          140.16 / 309
  • Supported Processing   Lake, XTA

Used Adamson Systems Engineering


Adamson is Canada’s most recognized exporter of loudspeaker technology for the pro-audio sector. For more than 30 years Adamson loudspeakers have been a main stay in global tours and festivals, as well as installed in some of the most prestigious venues around the world.
Located in Port Perry, Ontario Adamson is one of the largest employers in Scugog Township. With more than 100 highly skilled craftsmen and women in disciplines ranging from the design and development through production.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it's out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or ” built up” in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.

Already viewed

Adamson Systems Engineering Y18-T21 Sound Package Used, Second hand
Price:
63.900,00€
view more

NEWSLETTER

Subscribe to our newsletter and stay tuned for HOT deals, News & Events!

TOP