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Barco Event Master EC-210 Used, Second hand

Ref. code: 3.05.025

Event Master EC-210

With upgraded processing, an external input, and the option for a third external display, the EC-210 event controller, successor of the EC-200, brings faster programing to your event. Enjoy the ease-ofuse of its smaller sibling, the EC-50, with syntax-based programming methodology that accelerates Event Master’s trademark streamlined operation. The result is a vastly simplified, more powerful controller for today’s large events.
Unique features
Compatible with the EX, S3-4K, and E2 Event Master Processors, the EC-210 is a purpose-built, stand-alone controller that launches directly into Event Master Toolset. You can now have source, preset, layer, user key, cue and destination selection at your fingertips. The EC-210 comes fitted with a trackball, dedicated programming and operating sections, and two touchscreen displays. Switch sources live to program, select large groups of resources at the same time, and manipulate layers with ease. The extra external input means you are now able to have both the user interface and external video on the same control surface when space is tight.
Higher situational awareness

By adding an external display, you can monitor three different areas of the operating environment simultaneously, giving you the peace-of-mind and exceptional situational awareness required by intense shows. The EC-210 is a joy to run for everything from a tradeshow booth to large corporate events or music tours. *The EC-210 is an upgraded version of the EC-200. They offer the same functionality with minor differences. See the Spec section for details. Existing EC200s can be upgraded to the same spec and functionality as the EC-210.

Features
  • Robust version of Event Master Toolset -same user interface used on Mac and PC
  • Onboard processing section that is purpose-built to run Event Master toolset, enabling stand-alone usage. EC-210 processing section has been upgraded; the EC-200 is upgradeable to the EC-210 processor. (Users will experience faster performance with most tasks)
  • Full control over the Event Master Series processors
  • Simultaneous connection of multiple controllers, GUI interfaces, and processors supported on same network. (Redundant backups of control)
  • 2 internal 15.6-inch wide screen full HD (1,920x1,080) touchscreens with multi touch interface
  • 1 external HDMI output supporting up to 2560x1080
  • External input for the left side internal screen. External HDMI video signals up to HD resolution. (Typical sources are Multi-viewer or Aux output from Event Master)
  • High-resolution T-Bar for manual transitions
  • 36 user-assignable instant selection buttons with customizable LCD labels and multiple pages of assignments. (3 buses assignable as presets, cues, sources, backgrounds, or user keys)
  • Dedicated Background layer button and 8 dedicated Layer selection buttons with multi-page selection. (Change pages for destinations with 9 or more layers)
  • Dedicated layer transition and function buttons.(Trans, Cut, Freeze, etc.)
  • 12 user-definable Destination buttons with multiple pages of assignments (easily supports all the destinations available in future releases)
  • Dedicated buttons for transitioning all selected destinations, live switching, modifying program, etc.
  • Play/Pause and Stop button for Cues
  • 5 rotary encoders with wheels for ergonomic pip control and rapid placement of resources
  • 12 LCD Contextual Display Buttons to support the Syntax Programmer
  • Tri-Axis backlit trackball (based on function), with a very smooth rotary encoder for the third axis and 4 buttons for cursor and position control (future software release)
  • Internal, board mounted M2 SSD
  • 5 USB ports for additional accessories such as mouse, keyboard, thumbdrive, etc.
  • Script lights, feedback LEDs, and integrated work lights with user controlled dimming.
  • Power button for soft shutdown and restart of the system
  • Back up and restore of system via USB or WebUI.
  • Integrated WebUI for software upgrades.
  • Dust cover included
  • Custom road case included
* Note: The EC-210 HDMI monitor connections do not support analog output. Digital displays or active digital to analog converters are required.

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Used BARCO


Barco NV is a Belgian technology company that specializes in digital projection and imaging technology, focusing on three core markets: entertainment, enterprise, and healthcare.It employs 3600 employees located in 90 countries. The company has 400 granted patents.
Barco is headquartered in Kortrijk, Belgium, and has its own facilities for Sales & Marketing, Customer Support, R&D and Manufacturing in Europe, North America and Asia-Pacific. Shares of Barco are listed on Euronext Brussels.Barco sells its ClickShare products to enable wireless projection from sender devices to receiver displays.Barco is an acronym that originally stood for Belgian American Radio Corporation.
Barco was founded in 1934 in the town of Poperinge, in the Flemish-speaking region of Belgium. Founder Lucien de Puydt's initial business was to assemble radios from parts imported from the United States – hence the name of his company, the Belgium American Radio Corporation, or "Barco". Radio pioneer Camiel Descamps gave the company a new start in 1941 in Kortrijk after founder Lucien Depuydt died. His wife Maria-Anna Reyntjens and his brother-in-law Joseph Versavel assisted him. Later on, also Elie Timmerman joined them. Starting from their office in Kortrijk, the company started to grow and spread around 90 countries across the globe.
In 1949, Barco started developing a multi-standard television that accepted different signal standards, becoming a leader in that field. A jukebox called Barc-O-Matic was sold from 1951. In 1967, it was one of the first European companies to introduce color TV. Building on this, it then entered the professional broadcast market in the late 1960s, supplying TV monitors to broadcasters.
From the 1960s onwards, Barco branched out into numerous other activities, which included mechanical components for industrial use, and quality control monitoring for the textile and plastics industries. In 1967, Barco became the first European manufacturer to produce transistor-based portable televisions.
Barco first entered projection technology in 1979 when it pioneered the development of cathode ray tube (CRT) projection aboard airplanes. Over the following years, it gradually focused solely on professional markets. In the mid-1980s, Barco became a main projection technology supplier for computer giants IBM, Apple and Hewlett-Packard. In the late 1980s, it entered the Brussels stock market. By 1991, Barco's market share in the graphics projection market alone reached 75%, and the company had established offices across the world, including regional headquarters in the United States and East-Asia. Through the 1990s and the first decade of the new millennium, Barco developed and marketed new display technologies such as liquid crystal display (LCD), light-emitting diodes (LED), Texas Instruments' Digital Light Processing (DLP), and later, liquid crystal on silicon (LCoS). It now covers markets that include media and entertainment, security and monitoring, medical imaging, avionics, 3D and virtual reality, digital cinema, traffic control, broadcast and training and simulation.
In 2018, Barco entered into a joint venture with China Film Group Corporation (CFG), Appotronics and CITICPE to commercialize each company's products and services for the global cinema market excluding mainland China: Cinionic. In Barco's case, this involved the company's cinema projectors.
 

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Anamorphic: Process that horizontally condenses (squeezes) a 16:9 image into a 4:3 space, preserving 25 percent more vertical resolution than letterboxing into the 4:3 space. For the signal to appear with correct geometry, the display must either horizontally expand or vertically squish the image. Used on about two or three promotional laser discs and many DVDs. Also called Enhanced for Widescreen or Enhanced for 16:9.

Aspect Ratio: The ratio of image width to image height. Common motionpicture ratios are 1.85:1 and 2.35:1. Television screens are usually 1.33:1 (also known as 4:3), which is similar to the Academy standard for films in the `50s. HDTV is 1.78:1, or 16:9. When widescreen movies (films with aspect ratios wider than 1.33:1) are displayed on 1.33:1 televisions, the image must be letterboxed, anamorphically squeezed, or panned-andscanned to fit the screen.

ATSC: Advanced Television Systems Committee. Government-directed committee that developed our digital television transmission system.

Attenuate: To turn down, reduce, decrease the level of the opposite of boost.

Black Level: Light level of the darker portions of a video image. A black level control sets the light level of the darkest portion of the video signal to match that of the display`s black level capability. Black is, of course, the absence of light. Many displays, however, have as much difficulty shutting off the light in the black portions of an image as they do creating light in the brighter portions. CRT-based displays usually have better black levels than DLP, plasma, and LCD, which rank, generally, in that order.

Brightness: For video, the overall light level of the entire image. A brightness control makes an image brighter however, when it is combined with a contrast, or white level control, the brightness control is best used to define the black level of the image (see Black Level). For audio, something referred to as bright has too much treble or high frequency sound.

B-roll: Supplementary video of scenes and interviews used to complement the primary video.

Cathode Ray Tube: (CRT) Analog display device that generates an image on a layer of phosphors that are driven by an electron gun.

Chrominance: (C) The color portion of a video signal.

Coaxial: 1) A speaker typically with one driver in the middle of, and on the same axis as, another driver. 2) An audio or video cable with a single center pin that acts as the hot lead and an outer shield that acts as a ground.

Codec: Mathematical algorithms used to compress large data signals into small spaces with minimal perceived loss of information.

Component Video: A signal that`s recorded or transmitted in its separate components. Typically refers to Y/Pb/Pr, which consists of three 75-ohm channels: one for luminance information, and two for color. Compared with an S-video signal, a Y/Pb/Pr signal carries more color detail. HDTV, DVD, and DBS are component video sources, though most DBS material is transcoded to component from composite signals.

Composite Video: A signal that contains both chrominance and luminance on the same 75-ohm cable. Used in nearly all consumer video devices. Chrominance is carried in a 3.58-mHz sideband and filtered out by the TV`s notch or comb filter. Poor filtering can result in dot crawl, hanging dots, or other image artifacts.

Contrast: Relative difference between the brightest and darkest parts of an image. A contrast control adjusts the peak white level of a display device.

DBS: Direct Broadcast Satellite. Term that replaced DSS to describe smalldish, digital satellite systems such as DirecTV and Network.

Digital Theater Systems: See DTS.

D-ILA: Direct Drive Image Light Amplifier. This Hughes/JVC technology uses a reflective LCD to create an image. A light source is then reflected off the reflective LCD and is directed through a lens to a screen.

Direct-View Television: Display whose image is created on the surface from which it is viewed.

DLP: Digital Light Processing. A Texas Instruments process of projecting video images using a light source reflecting off of an array of tens of thousands of microscopic mirrors. Each mirror represents a pixel and reflects light toward the lens for white and away from it for black, modulating in between for various shades of gray. Three-chip versions use separate arrays for the red, green, and blue colors. Single-chip arrays use a color-filter wheel that alternates each filter color in front of the mirror array at appropriate intervals.

DMD: Digital Micromirror Device. Texas Instruments engine that powers DLP projectors. Uses an array with tens of thousands of microscopic mirrors that reflect a light source toward or away from the lens, creating an image. Each mirror represents a pixel.

Dot Crawl: An artifact of composite video signals that appears as a moving, zipper-like, vertical border between colors.

DTV: Digital Television. Umbrella term used for the ATSC system that will eventually replace our NTSC system in 2006. HDTV is a subset of the DTV system. While the FCC does not recognize specific scan rates in the adopted DTV system, typically accepted rates include 480i, 480p, 720p, and 1080i.

D-VHS: Digital VHS. Digital signals recorded onto magnetic tape. Greater capacity than typical VHS can record compressed HDTV signals. See D- Theater.

DVD: Officially known as the Digital Video Disc, though marketers unofficially refer to it as the Digital Versatile Disc. DVD uses a 5-inch disc with anywhere from 4.5 Gb (single layer, single-sided) to 17 Gb storage capacity (double-layer, double sided). It uses MPEG2 compression to encode 720:480p resolution, full-motion video and Dolby Digital to encode 5.1 channels of discrete audio. The disc can also contain PCM, DTS, and MPEG audio soundtracks and numerous other features. An audio-only version, DVD-A uses MLP to encode six channels of 24-bit/96-kHz audio.

DVD-A: Digital Versatile Disc-Audio. Enhanced audio format with up to six channels of high-resolution, 24-bit/96-kHz audio encoded onto a DVD, usually using MLP lossless encoding. Requires a DVD-A player and a controller with 6-channel inputs (or a proprietary digital link) for full compatibility.

DVD-R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Pioneer, Panasonic, Toshiba, and others.

DVD-RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Pioneer, Panasonic, Toshiba, and others.

DVD+R: A recordable DVD format similar to CD-R in that it is a write-once medium. Backed by Sony, Philips, Yamaha, HP, and others.

DVD+RW: A recordable DVD format similar to CD-RW in that it is rerecordable medium. Backed by Sony, Philips, Yamaha, HP, and others.

DVD-RAM: A recordable DVD format similar to DVD-RW in that it is a rewriteable format. Unlike DVD-RW it is capable of being written to and erased over 100,000 times. Backed by Hitachi, Panasonic, Toshiba, and others

DVI: Digital Visual Interface. Connection standard developed by Intel for connecting computers to digital monitors such as flat panels and DLP projectors. A consumer electronics version, not necessarily compatible with the PC version, is used as a connection standard for HDTV tuners and displays. Transmits an uncompressed digital signal to the display. The latter version uses HDCP copy protection to prevent unauthorized copying. See also HDMI.

Dynamic Range: The difference between the lowest and the highest levels in audio, it`s often expressed in decibels. In video, it`s listed as the contrast ratio.

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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