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Clair Brothers C10-M-iS218-M Turn-Key Sound Package Ex-demo, Like new

Ref. code: 1.01.449

C10-M

  • Three-Way Active (Bi-Amp with Passive Mid/Hi)
  • Frequency Response: 50Hz–20kHz (+/- 3dB) | (-10dB) 54Hz–22kHz Single Cabinet
  • Recommended Power Amplifier: CB-PLM12K44 or CB-D80:4L
  • Max. Output: 146 dB SPL
  • Drivers: LF: 2x 10” / MF: 1x 3.5” / HF: 1x Exit 1.4" - VC diameter 1.75"
  • Nominal Impedance: LF: 16 Ohms / MF: 16 Ohms / HF: 16 Ohms : Integrated Passive Crossover Network
  • Power Handling:
    Program (AES) LF: 1600W / MF: 150W / HF: 160W
    Peak LF: 3200W / MF: 500W / HF: 320W
  • Dispersion:
    Standard: 110°H x 15°V
    Optional Horizontal: 70-120°H (10° increments)
  • Input Connection: 2x EP-4 Connectors – 1 Male, 1 Female

iS218-M

The iS218-M is the Mobile Low Frequency subwoofer extension of the Clair “i-Series” line array system designed for permanent installations. The cabinet features two 18 in. direct radiating drivers in a tuned dual-chamber, dual-reflex enclosure.
The iS218-M is designed with two complementary transducers and ports that minimize thermal power compression and air flow turbulence. The 18 in. transducers have weather-resilient cones with exceptional linear excursion. The result is a high power handling, high performance subwoofer that provides tightly controlled low-frequency extension.
The iS218-M’s integral three-point rigging system allows several configurations. The iS218-M may be flown above the i212 line array, providing an aesthetically pleasing alternative to ground stacked subs beneath the array.
Clair Brothers combines amplification and proprietary DSP processing in portable racks for all i-Series systems. Custom cabling for systems is available as well and can be pre-wired, labeled and delivered in road cases. For applications where flown rigging is not possible, the iS218-M can serve as a stacking base for the i212 line array speakers.
As with all Clair Brothers Speaker products, the iS218-M is constructed with the finest Baltic birch plywood and finished with a rugged exterior black epoxy mastic finish to withstand the most demanding conditions.
Features
  • Max Output 134 dB SPL
  • LF Devices: 2x 18" (457.2mm)
  • Integral Bimodal Rigging
  • Black Epoxy Mastic
  • Finish EP-4 Connectors
Applications
  • Performing Arts Centers
  • Houses of Worship Arenas/Auditoriums
  • Night Clubs
  • Cruise Ships
  • A/V Systems Support

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Used Clair Brothers


Clair Companies is an entertainment technology company and the umbrella for two brands in the industry: Clair Brothers, a loudspeaker system manufacturer, and Clair Solutions, an AVL (audio, video and lighting) system design and installation company.
Brothers Gene Clair and Roy Clair began providing sound reinforcement services for touring bands beginning in 1966. In 1970, they formed Clair Bros. Audio Enterprises, Inc., which now operates under the name Clair Global.
In 1989, the company formed a spin-off, Clair Bros. Audio Systems, Inc., for designing and installing permanent audio systems in various venues, staffing the venture with employees who were not traveling with a live tour.
Roy's son, Barry, led this new venture to serve the fixed installation market.This spin-off division grew and in 2009, moved to a separate location in nearby Manheim, Pennsylvania.
As the installation business grew, the company formed two divisions: one for manufacturing audio equipment and one for installing AVL systems. In August 2014, the company rebranded as Clair Companies, an umbrella for these two divisions.
The manufacturing division operates under the shortened trade name Clair Brothers, while the installation division operates under the trade name Clair Solutions.
Clair Brothers manufactures a full line of professional loudspeaker products and systems. Their products include the kiT Series and iSeries.Clair Solutions designs and installs integrated audio, visual, and lighting systems.
Despite being under the same umbrella brand as Clair Brothers, systems installed by Clair Solutions use speakers and other audio equipment manufactured by other brands beside Clair Brothers.
 

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Second hand audio gear. | Second hand lighting.
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Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.


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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
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Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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