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d&b audiotechnik J8-J-SUB-J-INFRA Sound Package Used, Second hand

Ref. code: 1.01.548

J8

The J8 is a 3-way design housing 2 x 12" LF drivers, one hornloaded 10" MF driver and two 1.4" exit HF compression drivers with 3" voicecoils mounted to a dedicated waveshaping device.The mechanical and acoustical design enables flown vertical columns of up to 24 loudspeakers to be suspended using vertical splay angles between them of 0° to 7° with a 1° resolution. The cylindrical wave segments produced couple coherently in the vertical plane.Due to the dipolar arrangement of the neodymium LF drivers the exceptional 80° horizontal constant directivity dispersion control is nominally maintained down to 250 Hz. The J8 is acoustically and mechanically compatible with the J12 loudspeaker. It can be used in columns of purely J8 loudspeakers or combined with J12s and / or with J-SUBs.
The J8 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, the side and rear panels incorporate four handles, and two NLT4F/M, EP5 or NL8 connectors wired in parallel are also mounted at the rear.

J12

The J12 is a 3-way design housing 2 x 12" LF drivers, one hornloaded 10" MF driver and two 1.4" exit HF compression drivers with 3" voicecoils mounted to a dedicated waveshaping device. The mechanical and acoustical design enables flown vertical columns of up to 24 loudspeakers to be suspended using vertical splay angles between them of 0° to 7° with a 1° resolution. The cylindrical wave segments produced couple coherently in the vertical plane. Due to the dipolar arrangement of the neodymium LF drivers the exceptional 120° horizontal constant directivity dispersion control is nominally maintained down to 250 Hz. The J12 is acoustically and mechanically compatible to the J8 loudspeaker. It can be used in columns of purely J12 loudspeakers or combined with J8s and / or with J-SUBs.
The J12 cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front of the loudspeaker cabinet is protected by a rigid metal grill, the side and rear panels incorporate four handles, and two NLT4F/M, EP5 or NL8 connectors wired in parallel are also mounted at the rear.

J-SUB

The J-SUB is an actively driven 2-way bass-reflex design housing three long excursion neodymium 18" drivers, two drivers face to the front and one driver to the rear. The cardioid dispersion pattern resulting from this approach avoids unwanted energy behind the system, which greatly reduces the reverberant field at low frequencies and provides the greatest accuracy of low frequency reproduction. J-SUB cabinets can be used to supplement J8 and J12 loudspeakers in various combinations, ground stacked or flown, either integrated on top of a J8 / J12 array or as a separate column.
The J-SUB cabinet is constructed from marine plywood and has an impact and weather protected PCP (Polyurea Cabinet Protection) finish. The front and rear of the loudspeaker cabinet are protected by a rigid metal grill and the side panels incorporate eight handles. Four 100 mm wheels and one EP5 or NL8 connector are mounted at the rear.


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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
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Outdoor & Indoor LED screens for sale, LED mobile truck.
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Used d&b audiotechnik

d&b audiotechnik is a German loudspeaker and amplifier manufacturer, founded in 1981, located in Backnang, north of Stuttgart. Although d&b is an international company with subsidiaries in Europe, America and Asia their products are engineered and produced only in Germany.
d&b loudspeakers are used in rental and installation markets for events, multimedia, musicals, concert halls, theatres, opera houses, broadcast and everything from the small conference rooms to the large-scale stadiums.
Their claimed unique sales proposition is that they augment the volume, or hearability, of a speaker or musician, but not the quality of the sound. They supposedly achieve this flat response through digital signal processing (DSP) so that profile changes introduced by loud speakers and other audio components are compensated for and thus eliminated.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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