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DiGiCo SD7B Used, Second hand

Ref. code: 1.06.347

SD7B

Mind-blowing I/O

The console that gives you everything you could ask for and more, the DiGiCo SD7B combines the power of Stealth Digital Processing and Super FPGA technology with a benchmark line-up of features for the broadcast environment.
Boasting full Flexi channel capability and vastly increased routing flexibility for LCRS and 5.1 mixes, the SD7B is more than a match for the most challenging of broadcast applications. Features include a complete 5.1 monitor matrix with 48×6 source-to-speaker selection multi-channel folding user-defined stem order selection Mix Minus busses (one per mono channel) backstop PFL (over press) and Auto PFL and Audio Follow Video implementation.
All of that power sits beneath your fingertips when you sit before the iconic SD7B work surface, equipped with three touchscreens, each accommodating a bank of 12 faders, plus 16 assignable faders in the centre. The resulting workflow is as innovative as it is intuitive and practical, with HD meter bridges and colour-coded knobs to ensure at-a-glance operation. You can even choose to expand your fader count with the DiGiCo EX-007 Fader Expansion Unit, while two EX-007s can be connected via Cat5e for either remote control or an expanded fader-count of 100.

Under The Hood
With a massive 256 processing paths at 48kHz/96kHz, the SD7B is the Einstein of digital mixing platforms.
Standard channel processing, whether inputs or outputs, includes Channel Delay, DiGiTuBe, Single and Multi-Channel Presets, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ (eight on outputs) with band curve selection and Dynamic EQ on each band, Dual insert points, and DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
Incorporated within the master section are 32 gangable 32-band graphic EQs, 48 stereo effects, and 36 control groups (VCAs). Using snapshots, engineers can switch between complete configurations in any live environment at the press of a button – during rehearsals, setup or even during a show.
In addition, the SD7B’s 128 busses can be assigned as mono/stereo groups or auxiliary busses, while further configurability is available courtesy of a 32 x 32 output matrix , dual solo busses, and a Master buss. Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
The SD7B is renowned for its heavyweight I/O, and with good reason in the shape of 12 analogue inputs, 12 analogue outputs and 12 AES I/O (mono). With the second engine you benefit from four redundant MADI ports per engine, and one Optocore loop, as standard. This equates to an incredible 1,392 I/O connections on a single optic loop with just one work surface.
Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.

Features
  • Faders 38 x 100mm touch-sensitive, motorised + 14 x 60mm touch sensitive, motorised
  • Screens 3 x 15” LCD high – resolution touch screens
  • Meterbridge 3 x Custom Mounted LCD high-resolution TFT-LCD screens
  • Redundancy Internal removable engine x 2
  • Internal hot-swappable PSU x 2
  • Processing Channels Up to 256 (combination of Input Channels / Aux / Solo Group Busses)
  • Busses Up to 128 plus masters Aux / Group busses with full processing – LR/LCR/5.1 Master Buss
  • Matrix Up to 32 Input / 32 Outputs with full processing
  • Control Groups Up to 36, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 32 x 32-band, Gain +/- 12dB
  • Internal FX Up to 48 stereo effects comprising 16 floating point reverbs and 32 delay/chorus/pitch/enhancer
  • Local I/O 12 x mic/line I/O, 12 x AES I/O
  • MADI interface 4 redundant interfaces, BNC connectivity
  • Standard Optics (Dual Loop – Optional)
  • Sampling rates 48kHz / 96kHz
  • GPIO: 2 x DSub37 – 16 as standard, expandable to 32
  • Video Inputs x 2, Outputs x 2
  • Ext Sync Wordclock, AES, Video, MADI, Optics
  • SD7B Dimensions: 1496mm (w) x 875mm (d) x 503mm (h)
  • SD7B Weight 141Kg / 311lbs (245Kg / 540 lbs. with flightcase)
  • SD7B Flightcase: 1600mm (w) x 600mm (d) x 1240mm (h)
  • Power Requirements 90V-260V, 50-60Hz, 600VA

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Used DiGiCo


DiGiCo is a British company, founded in 2002, that manufactures digital mixing consoles targeted for live audio mixing applications.DiGiCo's most current console lineup comprises the SD-Series of consoles, powered by Stealth Digital Processing.
Pioneered with their flagship SD7, Stealth Digital Processing describes DiGiCo's first use of a single large scale FPGA for audio processing. Combined with Tiger SHARC DSP chips for effects processing and control, this new technology allows an entire audio engine to occupy only a single PCB.
The SD7 continues to be the flagship of the range, with consoles derived from it targeting other market areas and sizes of application. Currently the rest of the range comprises the SD5, SD10, SD8, SD9 and rack-mountable SD11, listed in order of size. T (Theatre) and B (Broadcast) software is also available for selected consoles.
The use of a flexible FPGA processing engine allows dedicated software to be written, to further refine the consoles features and operation for specific applications. The SD7, SD10 and SD9 are available with the optional theatre upgrade package, with the SD7, SD5, SD10, SD9 and SD11 having the option of a broadcast package.
Legacy DiGiCo consoles include the D1 and D5 Live platforms, as well as the D5T theatre console and DS00 studio production and broadcast console. The D-Series of consoles used a modular DSP engine, combining multiple SHARC DSP chips to form a large scale audio engine, still the method by which virtually all digital console manufacturers design their products.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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