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Electro-Voice XLC127 DVX-X-SUB-DX46 Sound Package Used, Second hand

Ref. code: 1.01.521

XLC127DVX

120º HORIZONTAL, 3-WAY COMPACT LINE ARRAY ELEMENT
  • Accurate vertical control & coverage
  • Compact, lightweight modules
  • True three-way design
  • Tri-amp operation - bi-amp operation with optional mid-high crossover
  • Quik-Rig fast and simple integrated rigging
  • Supported by LAPS II array design software
Features
  • Available Color:   Black
  • Chassis Size:   304.8mm (12")
  • Coverage:   (Nominal -6 dB) H 120°
  • Depth:  572mm (22.5")
  • Enclosure Material:  EV-Coat coated birch plywood
  • Environmental Specs: IEC 529 IP24, MIL STD 810
  • Flying: Included
  • Frequency Response: (-10 dB) 54 - 17,000Hz
  • Frequency Response: (-3 dB) 65 - 16,000Hz
  • Grille: Powder-coated steel
  • Height: 362mm (14.3")
  • HF Nominal Impedance: 8ωΩ
  • HF Power Handling: 150 W continuous, 600 W peakWatts (1600-8000 Hz)
  • HF Transducer: 2 x 3-in ND6-16
  • Input Connections: 2 Neutrik NL8
  • Internal Crossover: No
  • LF Nominal Impedance: 8ωΩ
  • LF Power Handling: 500 W continuous, 2000 W peakWatts (100-500 Hz)
  • LF Transducer: 1 x 12-in DVX3121A
  • Max. SPL/1m (calc): 128/132/139 HFdB (Single Box @ 1 Meter)
  • MF Nominal Impedance: 8ωΩ
  • MF Power Handling: 300 W continuous, 1200 W peakWatts (500-2000 Hz)
  • MF Transducer: 2 x 6.5-in DVN 2065
  • Passive Power Handling: 2000W peak (Low Frequency)
  • Peak SPL @ 10m: 130dB (4 Box Array @ 10 Meters)
  • Sensitivity 1 W/1 m: 95 LF/101 MB/111 HFdB (Single Box @ 1 Meter)
  • Speaker Type: Full-Range, Line-array, Three-way
  • Weight Net: 50.4kg (111.1 lbs)
  • Width: 991mm (39")

X-SUB

High-output, dual EVX 180B woofers, 1200-watt, subwoofer system, rectangular cabinet with identical footprint as other X-Line systems. Linear array technology system, can be flown or ground stack with non-flying version. Ring Mode Decoupling (RMD) provides level independent fidelity. New proprietary rigging allows for rapid venue load-in and load-out, linking hardware included. One of four application specific X-Line models.

Specifications:
  • Frequency Response (-3dB): 40 - 400 Hz
  • Frequency Response (-10dB): 35 - 500 Hz
  • Sensitivity 1W/1m: 103 dB
  • Max. SPL / 1m (calc): 140 dB
  • Coverage (nominal -6dB) H: 200
  • Coverage (nominal -6dB) V: 325
  • System Power Handling (continuous/program/peak): 1200/2400/4800 Watts
  • LF Transducer: EVX180B
  • LF Nominal Impedance: 4 Ohms
  • Color: Black
  • Flying: Yes
  • Input Connections: 2 Neutrik NL8
  • Outdoor: No
  • Chassis Size: 18 inches
  • Speaker Type: Line Arrays, Subs
  • Weight Net: 92 kg ( 202.83 lbs )
  • Dimensions (HxWxD): 494.3 x 1245 x 740 mm (19.46" x 49.02" x 29.13")

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Used Electro-Voice


Electro-Voice (commonly referred to as EV) is an American manufacturer of audio equipment, including microphones, amplifiers, and loudspeakers, focused on pro audio applications such as sound reinforcement.
As a subdivision of Telex Communications Inc. since February 1998, Electro-Voice markets products for use by consumers as well as small or large concert venues, broadcasting, houses of worship, and in retail situations.The company merged with Telex Communications in 1998.
Prior to the merger, EV was owned by Mark IV Industries, Inc. through its subsidiary, Gulton Industries, Inc., and had manufacturing plants in Buchanan, Michigan, Newport, Tennessee, Sevierville, Tennessee and Gananoque, Ontario. Electro-Voice's headquarters were in Buchanan, Michigan until the merger with Telex Communications.
In June 2006, EV, along with all of Telex Communications, became part of Bosch Security Systems division.Today EV manufactures widely used broadcast microphones as well as loudspeakers and various other professional audio equipment.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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