Used, Second hand JBL PRX815W 2-way 15

PRX815

15” Two-Way Full-Range Main System/Floor Monitor with Wi-Fi

The JBL PRX815 is a full-range speaker designed for main system and floor monitor applications. Featuring a 15”, two-way, bass-reflex design powered by a 1500-watt class-D amplifier, PRX815 delivers incredible volume in a lightweight and compact form factor.

Features

Built-in Wi-Fi for wireless control of your system from anywhere in the venue
Free PRX Connect mobile app for iOS and Android provides wireless control over volume levels, 8-band parametric EQ and up to 50ms of speaker delay to fine-tune your sound
Class-leading 1500-watt amplifier delivers ample power to fill your venue
JBL Differential Drive® transducers for higher SPL in a lightweight design
Next-generation JBL neodymium compression drivers
Redesigned Crown input technology, including XLR, 1/4” and RCA inputs plus XLR loop-through
Intelligent variable-speed fan activates only when needed to reduce noise
Updated tuning delivers flat frequency response and smooth off-axis behavior
Durable wooden cabinets, tour-proven DuraFlex™ finish and dent-resistant 16-gauge grilles
Universal power supply for worldwide compatibility
dbx Type IV™ limiting ensures clear, accurate sound at high volumes
Brutal testing regimen—including the famous JBL 100-hour power test—ensures reliable performance

Applications

The 2-way 15” offers the perfect balance between size and performance. The PRX815 truly is an exception; it’s small, light weight, versatile and powerful with remote Wi-Fi control of onboard DSP EQ parameters. The performance and asymmetrical design make this a perfect choice for musicians, entertainers and DJ’s when portability is key, or when hung by the suspension points, an exceptional light-duty installation speaker. All PRX800 Series speakers were designed to excel in sound reinforcement where challenging audio environments and loud volumes are the norm. For applications requiring full bandwidth sound reproduction, the PRX815 delivers the optimum balance. For live music, recorded music playback and speech the user has the option of tailoring the EQ. A microphone can be directly connected to the speaker input for quick PA applications. Coupled with a PRX800 sub-woofer the system becomes an efficient, full-range sound system.
The PRX815 is comprised of 15” 275G Differential Drive® woofer, a 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver mounted to a 90° by 50° horn, all driven by 1500 watt Class-D power amplifier. Sophisticated DSP is at the core of a fully featured input section, providing user selectable system EQ, protection, input sensitivity selection, cross-over functionality, dynamic limiting and discrete component optimization.
All PRX800 cabinets are built from 18 mm, strong, light-weight poplar plywood made structurally sound with tongue and groove joints. All PRX800 Series cabinets are protected by JBL’s tour proven DuraFlex™ finish. Grilles are made from dent-resistant 16 gauge steel and handles are made from light-weight glass-filled nylon for added strength and durability. All M10 suspension points are constructed from 14 gauge steel and have been tested with a yield-strength of 1000 lbs. each.
The amplifier input panel offers XLR or ¼ inch jack compatibility and a sensitivity switch provides extra flexibility, making it possible to connect literally any sound source without using a mixer. Signal present and overload lights indicate the system status and assist in setting the optimum level via the level control knob.

Specifications

System Type: Self Powered 15”, two-way, bass-reflex
Maximum SPL (1m) Normal: 137 dB Boost: 137 dB
Frequency Range (-10dB) Main: 42.9 Hz - 19.5 kHz Monitor: 43.6 Hz - 19.3 kHz
Frequency Response (±3 dB) Main: 58.1 Hz - 17.2 kHz Monitor: 60.7 Hz - 16.7 kHz
Inputs: 2 x Balanced XLR / 1/4 inch input, 2 x unbalanced RCA input
Input Impedance: 20K Ohms (balanced), 10K Ohms (unbalanced)
Design; Highly efficient Class-D amplifier
Power Rating: 1500W (750W x 2)
AC power input: 100V - 240V ~ 50/60 Hz
LF Driver: 1 x JBL 275G (15 in) woofer
HF Driver: 1 x JBL 2408H-2 37.5 mm (1.5 in) annular polymer diaphragm, neodymium compression driver
Coverage Pattern: 90° x 50° nominal
Directivity Index (DI): 10.2 dB
Directivity Factor (Q): 10.4
Enclosure: Asymmetrical, 18 mm, Duraflex coated plywood
Finish: Obsidian DuraFlex™ finish
Dimensions (H x W x D): 701mm x 446mm x 359mm (27.6in x 17.5in x 14.1in)
Net Weight: 20.86 kg (46.0 lb)
Gross Weight: 26.3 kg (58.0 lb)
Mic Inputs: 2
Phantom Power: No
Effects: 25 parametric EQ's and speaker delay
Outputs: 1 x XLR (mix out)

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Used JBL

JBL is an American company that manufactures audio equipment, including loudspeakers and headphones. There are two independent divisions within the company; JBL Consumer produces audio equipment for the consumer home market, while the JBL Professional produces professional equipment for the studio, installed sound, tour sound, portable sound (production and DJ), and cinema markets. JBL is owned by Harman International Industries, a subsidiary of South Korean company Samsung Electronics.
JBL was founded by James Bullough Lansing (1902–1949) who was an American audio engineer and loudspeaker designer most notable for establishing two audio companies that bear his name, Altec Lansing and JBL, the latter taken from his initials.Early products included the model 375 high-frequency driver and the 075 ultra high frequency (UHF) ring-radiator driver. The ring-radiator drivers are also known as "JBL bullets" because of their distinctive shape. The 375 was a re-invention of the Western Electric 594 driver but with an Alnico V magnet and a four-inch voice coil. The 375 shared the same basic magnet structure as the D-130 woofer. JBL engineers Ed May and Bart N. Locanthi created these designs.
In 1955 the brand name JBL was introduced to resolve ongoing disputes with Altec Lansing Corporation. The company name "James B. Lansing Sound, Incorporated", was retained, but the logo name was changed to JBL with its distinctive exclamation point.
The JBL 4320 series studio monitor was introduced through Capitol Records in Hollywood and became the standard monitor worldwide for its parent company, EMI. JBL's introduction to rock and roll music came via the adoption of the D130 loudspeaker by Leo Fender's Fender Guitar Company as the ideal driver for electric guitars.
In 1969, Thomas sold JBL to the Jervis Corporation (later renamed "Harman International"), headed by Sidney Harman. The 1970s saw JBL become a household brand, starting with the famous L-100, which was the best-selling loudspeaker model of any company to that time. The 1970s were also a time of major JBL expansion in the professional audio field from their studio monitors.
By 1977, more recording studios were using JBL monitors than all other brands combined, according to a Billboard survey.[5] The JBL L-100 and 4310 control monitors were popular home speakers. In the late 1970s, the new L-series designs L15, L26, L46, L56, L86, L96, L112, L150, and later the L150A and flagship L250 were introduced with improved crossovers, ceramic magnet woofers, updated midrange drivers, and aluminum-deposition phenolic resin tweeters.
In the mid-1980s the designs were again updated and redesigned with a new titanium-deposition tweeter diaphragm. The new L-series designations being the L20T, L40T, L60T, L80T, L100T, the Ti-series 18Ti, 120Ti, 240Ti, and the flagship 250Ti. To test speaker drivers, JBL in Glendale and Northridge used the roof as an outdoor equivalent to an anechoic chamber.
Over the next two decades, JBL went more mass-market with their consumer (Northridge) line of loudspeakers. At the same time, they made an entry into the high-end market with their project speakers, consisting of the Everest and K2 lines.
JBL became a prominent supplier to the tour sound industry, their loudspeakers being employed by touring rock acts and music festivals.
JBL products were the basis for the development of THX loudspeaker standard, which resulted in JBL becoming a popular cinema loudspeaker manufacturer.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.