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Synco/Martin Audio W8LC SL Used, Second hand

Ref. code: 1.02.407

W8LC

The Martin Audio W8LC is a compact line array enclosure designed to bring superb next-generation line array performance to concert, theatre and commercial events. It meets the need for a high power, high bass impact system that is versatile and scalable for a very wide range of applications in the live sound, corporate and fixed installation fields. W8LC grids allow systems to be flown or ground stacked as required. Though compact in size, the W8LC is a full-bandwidth system and may be used without subwoofers in many applications. Where additional low frequency extension is required, W8LCs may be complemented by the W8LS Line Array subwoofers, WLX horn and reflex loaded subwoofers or WSXa horn loaded subwoofers.
Following the all-horn design philosophy of the full-size W8L Longbow, the W8LC is a 3-way system that combines line array principles with innovative horn loading techniques to produce a very powerful compact line array with impressive dynamic impact.
The low frequency section of the W8LC comprises a horn loaded 12" (300mm)/3" (75mm) coil neodymium driver that is reflex loaded to extend the LF output to below the natural cut-off point of the horn. This Hybrid technique marries the very high efficiency of horn loading with the extended low frequency response of a reflex enclosure.
The mid horn of the W8LC utilizes 2 x 6.5" (165mm)/1.5" (38mm) coil, maximum efficiency drivers to produce 106dB at 1m for a 1W input - a significant efficiency gain over direct radiator systems.
The W8LC?s HF section comprises three 1" horn elements to produce a low-curvature vertical wavefront with an efficiency of 109dB at 1m for a 1W input. This optimal HF curvature enables W8LC enclosures within the array to be splayed up to 7.5° without introducing gaps in the HF vertical coverage.

Features
  • Compact, high performance three-way line array enclosure
  • High power - maximum SPL 129dB continuous, 135dB peak (single unit)
  • Superior bass impact - all horn design
  • Wide bandwidth - 60Hz-18KHz ± 3dB (single unit)
  • True 90° (-6dB) horizontal mid and HF pattern control
  • Very smooth off-axis response - useable out to 120° (-10dB)
  • Compatible with the full-sized W8L Line Array
  • Fast, integral rigging system with variable splay angles
  • Common grid may be used for flying or ground stacking
  • ViewPoint array optimisation software
  • Loudspeaker management preset files for a wide variety of configurations
Applications
  • Medium/large scale touring, theatre, stadia, club
  • Compatible with W8L, W8LS and WSXa

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Second hand audio gear. | Second hand lighting.
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Used Martin Audio


Martin Audio is a manufacturer of loudspeakers, amplifiers and signal processing devices for rental and installed sound markets.The Martin Audio design philosophy places emphasis on the subjective sound experience as well as technical excellence.
Led by Martin Audio's R&D Director, Jason Baird, the team works to produce the ultimate product for every application, with the conviction that the correct sound characteristics should be inherent in the acoustic design, not dependent on subsequent electronic correction.
The cornerstone of Martin Audio's success has always been commitment to quality. Only the best quality materials and components are used. Martin Audio enclosures are manufactured primarily in wood with its natural acoustic qualities and good look. They are reinforced where appropriate and finished with care and attention to detail to ensure we meet customers' desire for durability, ease of handling and manoeuvrability.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Efficiency Rating: Level of sound output measured at a prescribed distance with a standard input power. Efficiency rating standard is 1 watt (2.83V at 8 ohms) at 1 meter over a specified frequency range and is measured in decibels.

Equalization: Loosely, any type of relative frequency adjustment. Specifically, the process of changing the frequency balance of an electrical signal to alter the acoustical output.

Equalizer: A component designed to alter the frequency balance of an audio signal. Equalizers may be graphic, parametric, or a combination of both.

Fade: A gradual increase in audio, i.e. a fade-up, or a gradual decrease in audio, i.e. a fade-down.

Feedback: The transmission of current or voltage from the output of a device back to the input, where it interacts with the input signal to modify operation of the device. Feedback is positive when it’s in phase with the input and negative when it’s out of phase.

FM: Frequency Modulated.

Frequency: The number of cycles (vibrations) per second. In audio, audible frequencies commonly range from 20 to 20,000 cycles per second (Hz). In video, frequency is used to define the image resolution. Low-frequency video images depict large objects or images. Higher frequencies depict smaller objects (finer details.

Frequency Response: A measure of what frequencies can be reproduced and how accurately they are reproduced. A measurement of 20 to 20,000 Hz, 3dB means those frequencies between 20 and 20,000 Hz can be reproduced no more than 3 dB above or below a reference frequency level.

Full-Range: A speaker designed to reproduce the full range (20 Hz to 20 kHz) of audio frequencies.

Gain: Increase in level or amplitude.

Gooseneck: This refers to a microphone with a flexible neck that is most frequently attached to a podium or lectern. It is designed to allow the speaker to raise or lower the microphone to a suitable height.

Graphic Equalizer: A type of equalizer with sliding controls that creates a pattern representing a graph of the frequency-response changes. Raising sliders boosts the affected frequencies lowering sliders cuts (attenuates) the affected frequencies.

HDCP: High-Bandwidth Digital Content Protection. Created by Intel, HDCP is used with HDTV signals over DVI and HDMI connections and on D-Theater D-VHS recordings to prevent unauthorized duplication of copyright material.

HDR: Hard-Drive Recorder. Device that uses a computer hard drive to store compressed digital audio and video signals.

High Pass: A filter that passes high frequencies, and attenuates low frequencies. Same as low cut.

Hz: Hertz or cycles per second. Something that repeats a cycle once each second moves at a rate of 1 Hz.

Incue/Inq/In-Point: These words all refer to the initial few seconds of audio signifying the beginning of the production.

Integrated Amplifier: A combination preamp and amplifier.

Impedance: A measure of the impediment to the flow of alternating current, measured in ohms at a given frequency. Larger numbers mean higher resistance to current flow.

KHz: Kilohertz or one thousand Hz.

Lavaliere: A small microphone that attaches to clothing, allowing the speaker to have a hands-free presentation.

Line Array: A group of speakers that have been arrayed or "built up" in the vertical or horizontal plane, which allow for a highly consistent sound field. A Line Array is perfect for medium to large audiences.

Line-Level (Low-Level): A level of electrical signals too low to make the average speaker move sufficiently. Amplifiers receive line-level signals and amplify them to speaker level.

lockout: The final words of a segment used to signify the production’s conclusion.

Low Pass: A filter that lets low frequencies go through but doesn’t let high frequencies go through. Same as high cut.

MHz: Megahertz, or 1 million Hz.

Midbass: The middle of the bass part of the frequency range, from approximately 50 to 100 Hz (upper bass would be from 100 to 200 Hz). Also used as a term for loudspeaker drivers designed to reproduce both bass and midrange frequencies.

Midrange: The middle of the audio frequency range. Also used as a term for loudspeaker drivers designed to reproduce this range.

Mixer: This is the unit in which audio signals are directed from. A mixer provides for both mic and line input combinations while allowing you to control one or more outputs.

MLP: Meridian Lossless Packing. Encoding format that is able to completely reconstruct the original signal at the receiving end. No information is lost or discarded, regardless of how trivial it might be. Used to encode six channels of high-resolution audio on DVD-A.

Mono: Monophonic sound. One channel.

MP3: MPEG-1 Audio Layer-3. Compression scheme used to transfer audio files via the Internet and store in portable players and digital audio servers.

Natural Sound (NATS): The nonverbal audio that occurs in a non-studio setting. NATS can be used to help characterize the setting.

Noise: An unwanted portion of a signal such as hiss, hum, whine, static, or buzzing.

Nonlinear Editing: Digital audio systems that allow for clips to be extracted without affecting the master recording.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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