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TW AUDiO VERA 20 Package Ex-demo, Like new

Ref. code: 1.02.498
 TW AUDiO VERA 20 Package Ex-demo, Like new
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VERA 20

Enchantingly powerful

Measuring just 60 cm (23.6") in width, the VERA20 houses two powerful 10" woofers despite being of a comparable size to many of the less impactive double 8" cabinets found in the market today. More than many similarly sized compact alternatives, the VERA20`s double 10" design packs a punch, delivering a throaty low-mid growl with up to 6 dB more output in the low-mid frequency range plus lower distortion.
Meanwhile the custom chassis boasts a purpose developed waveguide producing 12 degrees vertical dispersion and either 80 or 120 degrees horizontal dispersion, as required. This combines a 1.4" mid-high compression driver with a 3" diaphragm to produce sparkling top-end. When you choose VERA20, you can expect a smooth and precise mid-range response that lends itself to sharply defined speech intelligibility and exacting musical reproduction.
In addition, the low frequency crossover point delivers consistently uniform coverage, while the extraordinarily fast transient response contributes to a detailed and crisp performance in the high frequencies.
Crucially, the VERA20 offers you the capacity to form arrays of up to 24 elements, meaning it can be deployed in an extremely broad variety of applications, both inside concert halls and outdoors in arenas. Rigging is speedy, accurate and cost-efficient with the inclusion of TW AUDiO`s innovative EasyRig? hardware, with which an entire system can be set up and flown or dismantled by just one technician. That same hardware will also allow you to fly your VERA20 array with incredible precision, setting angles of less than one degree to swiftly achieve unsurpassed accuracy and far longer throws for improved coverage.
Having the same width as the VERA20 and equipped with the same rigging, VERA S32 subs can easily and unobtrusively be integrated into VERA20 arrays.

Features
  • Drivers: 1x1.4" HF 2x10" LF
  • Frequency range: 63Hz - 18000 Hz*
  • Power capacity program / peak: 1000 / 2000W
  • Impedance: 8 Ω
  • Coverage (h x v): 80° or 120° x 12°
  • Sensitivity 1 W / 1 m : 107 dB
  • SPLmax / 1 m : 139 dB
  • Connection: speakON NL4 1±
  • Dimensions (H x W x D) : 284 x 600 x 400 mm [11.18 x 23.62 x 15.75 in]
  • Weight : 24 kg [53 lbs]
  • Finish: polyurea coating
  • Accessories: RF600, SFV20, LA900, ORF900, BLS, GSP20, VERA DLV20, Cover4V20, HornV20-120
  • Options: RAL colors (Warnex texture paint) *With dedicated presets a frequency range of 50-20000 Hz can be achieved.

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Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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