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Meyer Sound ULTRA-X20XP/X22XP/X23XP Used, Second hand

Ref. code: 1.04.473

ULTRA-X20XP : Compact Wide Coverage Loudspeaker
ULTRA-X22XP : Compact Narrow Coverage Loudspeaker
ULTRA-X23XP : Compact Broad Coverage Loudspeaker


Meyer Sound’s ULTRA-X20XP loudspeaker extends the award-winning, state-of-the-art ULTRA-X40 point source technology to a smaller version for size- and weight-critical applications.

Enhancements extending to the smaller ULTRA-X20XP/22XP/23XP versions include:

  • An innovative, highly efficient class-D amplifier that reproduces any sound source with linearity over a wide dynamic range.
  • A weight of only 27 lb (12.3 kg) and a reduced cabinet size.
  • A concentric driver configuration that has all the benefits of a coaxial driver, yet none of the disadvantages. This configuration also supports directional control of frequencies down to 600 Hz.
  • A rotatable, extremely well-behaved horn designed for very precise, even coverage. This horn design, in conjunction with the concentric driver configuration, delivers the same pattern regardless of orientation.
The ULTRA-X20XP loudspeaker provides high power output, low distortion, and consistent polar response in a very compact, vented enclosure. The loudspeaker features two 5-inch cone low-frequency drivers and one 2-inch diaphragm compression driver coupled with a rotatable 110° x 50° Constant-Q horn. A more controlled pattern is available on the ULTRA-X22XP model, which is fitted with a rotatable 80° x 50° Constant-Q horn. A wider coverage version, the ULTRA-X23XP, offers a 110° x 110° Constant-Q horn.
Because of its proprietary, high-frequency horn, the beamwidth remains consistent within close tolerances in both the horizontal and vertical planes, and across the horn’s operating frequency range. Uniformly predictable polar behavior takes much of the guesswork out of system design and assures optimal system performance.
A three-channel, class-D digital power amplifier powers the ULTRA-X20XP loudspeaker, which has a total peak power output of 860 watts. Audio processing includes electronic crossover, correction filters for phase and frequency response, and driver protection circuitry. Phase-corrected electronics ensure flat acoustical amplitude and phase response, resulting in exceptional impulse response and precise imaging.
With IntelligentDC technology, the ULTRA-X20XP receives DC power and balanced audio from a single Phoenix 5-pin connector. Powering the loudspeakers from a Meyer Sound MPS IntelligentDC external power supply eliminates the need for wiring conduits while still preserving the advantages of self-powered systems.
The Meyer Sound MPS IntelligentDC power supplies distribute DC power and balanced audio to ULTRA-X20XP loudspeakers or other Meyer Sound IntelligentDC loudspeakers. The ULTRA-X20XP’s amplifier and signal-processing circuits store DC power and tolerate voltage drops, thereby accommodating light-gauge cables and lengthy cable runs. Composite multi-conductor cables, such as Belden 1502 or equivalent, can deliver both DC power and balanced audio to loudspeakers at cable lengths up to 150 feet with just 1 dB of loss in peak SPL using 18 AWG wire for power. Longer cable lengths are possible with heavier gauge wires. The two-channel MPS-482HP power supply is ideal for applications requiring a small channel count or the capability for mounting the supply remotely on a wall or ceiling, while the 8-channel MPS-488HP is suitable for larger installations. The MPS-488HP can be optionally purchased with an RMS module for connecting to Meyer Sound’s remote monitoring system.
Meyer Sound builds the elegant, slightly curved enclosure out of aluminum with a slightly textured black finish. A powder-coated, round-perforated steel grille provides protection to the front of the loudspeaker.
The ULTRA-X20XP includes two integral M8 rigging points on each end to enable a variety of configurations including those requiring pole mounting, hanging individually from a single point, wall mounting or ceiling mounting. The ULTRA-X20XP also includes four M6 threaded holes with a 5-inch by 2.75-inch (127 mm by 70 mm) hole pattern on the rear for use with third-party wall mounts. Optional rigging accessories include a 35 mm to M8 pole adapter, a U-bracket, a yoke, and a pinnable link on a channel that allows the hanging of one or two units from a single pick-up point. Other options include weather protection and custom color finishes.
Features
  • A compact, elegant and light aluminum enclosure encases exceptional fidelity and surprising power capability
  • Extraordinarily flat amplitude and phase response ensures tonal accuracy and precise imaging
  • Wide pattern covers broad listening areas
  • Rotatable horn provides installation flexibility
  • Integral stand mount and QuickFly mounting options facilitate rigging
Applications
  • Multi-purpose Audio/Visual
  • Corporate rental
  • Houses of worship
  • Conference rooms
  • High-end private installations
  • Retail spaces
  • Theater

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Second hand audio gear. | Second hand lighting.
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Used Meyer Sound Laboratories


Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.
 

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Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals; it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections; ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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