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NEXO STM M46-M28-B112-S118 Turnkey Sound Package Used, Second hand

Ref. code: 1.01.593

STM

Scale Through Modularity

For too long now, the business of a sound rental company has been dictated by system manufacturers. You need one type of system to be in the touring market, another for corporate jobs, and so on. It all adds up to a lot of boxes that often spend more time in the warehouse than they do on the road. STM changes all that with a system that works the way you work.

Overview

The concept of Scale Through Modularity delivers a new level of versatility, enabling contractors to design a wide range of systems from just 4 core modules. And in applications large and small, these systems can significantly outperform existing solutions. Of course increased versatility brings a welcome improvement in return on investment. But with STM, that’s just the start. From system storage and configuration, through transportation and rigging, to wiring and amplification, STM delivers important operational and logistical cost savings at every stage of the process.

System Design

Designing and configuring the perfect STM system is easy using free NS-1 software – a powerful and intuitive system configuration and simulation tool with an intuitive drag and drop interface, ensuring uniform SPL coverage of any NEXO system in any venue.

Technology

STM represents an important achievement in line array technology and incorporates a number of patented developments including a 3D Hyperbolic Reflector for HF summing without interference, an acoustic nozzle to ensure smooth airflow in the S118 sub venting, a new vent design for improved efficiency in the M28 and M46 modules, and CCD patented technology for variable horizontal dispersion in the M28 omni module, along with key developments in the rigging system.

Modules

The STM system comprises 4 proportionallly-sized modules from which systems of any size and scale can be configured: M28 Omi-Purpose, M46 Main, B112 Bass and S118 Sub. Configuration possibilities include M28 Omni or M46 Main cabinets only, Omni/Main + Bass, Omni/Main + Sub, Omni/Main + Bass + Sub, any of which can be supplemented by the M28 Omni module operating as a downfill

 

STM M46 Main Module

Injection-moulded high-power cabinet with innovative components for enhanced performance. Flat-membrane drivers ensure completely even and full-range coverage over entire 90° horizontal dispersion. HF frequency range remains completely linear, using Ketone Polymer diaphragms that enhance tonal response and long throw.

Features
  • 4 x 6.5 inch LF/MF Drivers
  • 4 x HF Compression Drivers
  • 145dB peak SPL
  • Frequency response: 85Hz-20kHz
  • H350mm/W575mm/D715mm
  • 59Kg/130lb
  • Dispersion 90˚ H x 0-10˚V

STM M28 Omni-purpose Module

Injection-moulded all-purpose loudspeaker cabinet which fulfils the role of downfill, providing 90°/120° of horizontal dispersion and 0° to 15° splaying angle between modules. Same width as M46, 2/3 height, the M28 can also be used independently from M46 or B112.

Features
  • 2 x 8 inch LF Drivers
  • 2 x HF Compression Driver
  • 141dB peak SPL
  • Frequency response: 65Hz-19kHz
  • H234mm/W575mm/D653mm
  • 37Kg/82lb

STM B112 Bass Module

Injection-moulded bass cabinet featuring a Neodymium high excursion 3000W 12'' bass driver with 4'' voice coil. It has the same format dimensions, weight, gravity centre as the M46. The hybrid horn-loaded design maximizes the efficiency of the driver, delivering 6dB more than a standard front-loaded driver in this frequency range.

Features
  • 1 x 3000W +/- 3cm excursion 12 inch LF Driver
  • 141dB peak SPL
  • Frequency response: 63Hz-200Hz
  • H350mm/W575mm/D715mm
  • 59Kg/130lb

STM S118 Sub Module

Sub-bass cabinet featuring a Neodymium high excursion 3000W 18” driver. A bandpass load ensures SPL output equivalent to conventional dual 18” subbasses. Same width, double the height of M46 main cabinet, double height of main cabinet so the S118 can be flown in the array or ground-stacked in line. Can be run in omnidirectional or cardioid sub mode.

Features
  • 1 x 18 inch LF Driver
  • 143dB peak SPL
  • Frequency response: 25Hz-85Hz
  • H700mm/W575mm/D715mm
  • 85Kg/187lb
  • Omni or cardioid modes

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Used NEXO


NEXO is a world leader in the design and manufacture of loudspeaker systems for sound reinforcement.Today, NEXO is a wholly-owned strategic business unit of Yamaha Corporation, a convergence of technological expertise that has resulted in such innovations as the NXAMP Series and 4×4 Powered TDControllers which provide full integration of speaker and amplifier control, and console management of PA systems over the latest and most popular digital networking protocols.
Through the application of convergence-inspired design, NEXO seeks not only to enhance the audience experience through the development of increasingly more transparent and consistently controllable sound systems, but also to serve the wider public through the improved directivity of its systems.
NEXO is wholly focussed on serving the environment, through the adoption of more sustainable and less polluting manufacturing processes, and through the development of systems that are ever more compact, easier to transport and less demanding to set up.
 

Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

Octave: The difference between two frequencies where one is twice the other. For example, 200 Hz is an octave higher than 100 Hz. 400 Hz is one octave higher than 200 Hz.

Optical Digital Cable: Fiber optic cable that transfers digital audio signals as light pulses.

Outcue/Outq/Out-Point: These words all refer to the final few seconds of audio signifying the conclusion of the production.

Package: A completed and fully edited audio piece.

Passive: Not active. A passive crossover uses no external power and results in insertion loss. A passive speaker is one without internal amplification.

Phase: Time relationship between signals it’s all relative.

Power Output: A measure, usually in watts, of how much energy is modulated by a component.

Preamplifier: A control and switching component that may include equalization functions. The preamp comes in the signal chain before the amplifiers.

Pre Outs: Connectors that provide a line-level output of the internal preamp or surround processor.

Pre Outs/Main Ins: Connectors on a receiver that provide an interruptible signal loop between the output of the internal preamp or surround processor portion of the receiver and the input of the amplifier portion of the receiver.

Pre/Pro: A combination preamp and surround processor.

Processors: Anything that processes an incoming signal in some way. Surround processors, for example, can decode a Dolby Digital signal to send to an amp so you can hear it.

Pulse Code Modulation: (PCM) a way to convert sound or analog information to binary information (0s and 1s) by taking samples of the sound and record the resulting number as binary information. Used on all CDs, DVD-Audio, and just about every other digital audio format. It can sometimes be found on DVD-Video.

Q-and-A: Question and answer session.

Receiver: Any component that receives, or tunes, broadcast signals, be it NTSC, HDTV, DBS, or AM/FM radio. Typically refers to the single component that includes a preamp, surround processor, multichannel amplifier, and AM/FM tuner.

Reverberation: The reflections of sound within a closed space.

RF: Radio Frequency. Television signals are modulated onto RF signals and are then demodulated by your television’s tuner. VCRs and DBS receivers often include channel 3 or 4 modulators, allowing the output signal to be tuned by the television on those channels. Also, laser discs used an RF signal for modulating Dolby Digital 5.1 soundtracks on some movies. This requires an RF demodulator (usually referred to as an AC3-RF demodulator) before or in the surround processor to decode the signal.

RMS: Root Mean Square or the square root of the arithmetic mean (average) of the square’s set of values. A reasonably accurate method of describing an amplifier`s power output.

SACD: Super Audio CD. Enhanced audio format with up to six channels of high-resolution audio encoded using DSD. Requires an SACD player. Multichannel also requires a controller with six-channel analog or proprietary digital inputs for full playback.

Sampling Frequency: How often a digital sample is taken of an analog wave. The more samples taken, the more accurate the recording will be. You need to sample at a minimum of twice the highest frequency you want to capture. For example, the 44.1-kilohertz sampling rate of a CD cannot record sounds higher than 22.05 kilohertz.

Scener: A radio report in which the announcer is recorded at the same time and place as the background sound of an event.

Sensitivity: A measurement (in dB) of the sound-pressure level over a specified frequency range created by a speaker driven by 1 watt (2.83V at 8 ohms) of power with a microphone placed 1 meter away.

Signal-to-Noise Ratio: A comparison of the signal level relative to the noise level. Larger numbers are better.

Simultaneous Interpretation: This system allows attendees to hear the meeting in their own language.

Sound Bite: A portion of audio of someone speaking.

Sound field: The total acoustical characteristics of a space, such as ambience number, timing, and relative level of reflections ratio of direct to reflected sound RT-60 time etc.

Soundstage: The area between two speakers that appears to the listener to be occupied by sonic images. Like a real stage, a soundstage should have width, depth, and height.

Speaker: A component that converts electrical energy into acoustical energy.

SPL: Sound-Pressure Level. Measured in dB.

Subwoofer: A speaker designed to reproduce very low bass frequencies, usually those below about 80 Hz.

THX: Certification program for home theater equipment. Uses some proprietary features, but mostly assures a base quality level for a given room size. (See THX select or Ultra.) Is compatible with any and all soundtrack formats. Stands for either Tom Holman’s eXperiment, after the engineer who drafted the original standard, or is named after the company’s founder George Lucas first movie, THX 1138. Nobody agrees on which.

THX select: Certification program for speakers and receivers that assures a base level of quality and performance when played in a room that’s between 2,000 and 3,000 cubic feet.

User-Generated Content (UGC): Text, photos, video or audio supplied by the customers of a company.

Voicer: A radio report without background audio taken from a scene or otherwise.

Wrap: A radio report containing both the reporter and an actuality.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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