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Meyer Sound LYON-M-1100-LFC Sound Package Used, Second hand

Ref. code: 1.01.719
 Meyer Sound LYON-M-1100-LFC Sound Package Used, Second hand
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LYON : Linear Array Loudspeaker


The self-powered LYON linear line array loudspeaker is a member of Meyer Sound’s LEO family of linear loudspeakers, designed to reproduce audio faithfully with tremendous power and clarity, without coloring the sound, even when pushed to the limit. LYON delivers the same headroom and precision as the acclaimed LEO-M with the same cutting-edge technology housed in a lighter and more compact cabinet.
Optimized rigging and self-powered configuration streamlines both setup and breakdown for LYON systems. LYON is ideal for medium- to large-scale array applications that do not require the extreme long-throw capability of LEO-M.
For greater flexibility, LYON is available in three models: LYON-M for primary array coverage, LYON-W for wide coverage, and LYON-WXT for wide coverage with extended vertical coverage. Use LYON-W in LYON arrays when applications require wide coverage, such as at the bottom or in the middle of primary arrays, or even at the top of outfill arrays. Use LYON-WXT when applications require wide coverage with greater vertical dispersion, such as at the bottom of extremely curved arrays or with installations that cannot use frontfill loudspeakers. Because LYON-W and LYON-WXT match the acoustical characteristics of LYON-M, transitions for horizontal coverage are seamless.
Pair LYON arrays with Meyer Sound’s 1100-LFC low-frequency control element for bass reproduction. Drive entire systems with Meyer Sound’s Galileo GALAXY Network Platform, which provides 24 bit, 96 kHz audio, matrix routing, alignment, and processing for array components. By using the GALAXY Network Platform delay integration settings, it is possible to acoustically match all LYON models to LEO-M. With this approach, designers can use any LYON model for downfill and midfill at the bottom of LEO-M arrays, and as supplemental sidefill and outfill arrays in LEO-M systems.
To guarantee optimum system performance, including coverage patterns and linear peak SPL, design LYON systems with Meyer Sound’s MAPP System Design Tool. This useful tool also helps verify rigging load ratings. LYON’s high-frequency section comprises two proprietary compression drivers coupled to a constant-directivity horn through a patented REM manifold. The manifold’s smooth radiating characteristics afford tight vertical coverage. The low-frequency section includes two long-excursion cone drivers, also proprietary, capable of withstanding high continuous output levels. Precise phase and magnitude alignment between lowand high-frequency drivers yields consistent and well-behaved system responses.
The unit’s onboard power amplifier operates at nominal voltages from 85–134 V AC and 165–264 V AC at 50–60 Hz. TruPower limiting ensures maximum driver protection, minimizing power compression while yielding high constant output under high continuous and peak power conditions. A single, field-replaceable module located on the rear of the cabinet houses the amplifier, control electronics, and power supply.
Meyer Sound’s RMS remote monitoring system module comes standard with all LYON loudspeakers and provides comprehensive monitoring of system parameters on a Mac or Windows-based computer. Convenient XLR 5-pin connectors allow the use of composite cables carrying both RMS and balanced audio. XLR 3-pin audio connectors are also available.
LYON offers intuitive rigging with captive GuideALinks that users can set to the desired splay angles while cabinets rest in caster frames. A range of available rigging accessories make LYON a versatile solution for a variety of applications.
Meyer Sound constructs the LYON cabinet of premium multi-ply birch and coats it with a slightly textured black finish. A powder-coated, hex-stamped steel grille with acoustical black mesh protects the unit’s drivers. Other options include weather protection and custom color finishes for fixed installations and applications with specific cosmetic requirements.


Features
  • Available in three models for greater flexibility: LYON-M for primary array coverage, LYON-W for wide coverage, and LYON-WXT for wide coverage with extended vertical coverage.
  • Integrates seamlessly with Meyer Sound’s LEO-M line array loudspeakers, and the 1100-LFC and VLFC low frequency control elements.
  • Delivers high peak power output with exceptional linearity and transient reproduction at any operating level
  • Offers simplified setup and increased reliability via self-powered design
Applications
  • Medium- to large-scale applications
  • Arenas, performing arts centers, theatres, churches, and other fixed installations
  • Touring sound reinforcement
  • Downfill, midfill, sidefill, and outfill for LEO-M systems

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Used Meyer Sound Laboratories


Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
The company’s emphasis on research and measurement has resulted in the issuance of dozens of patents, including for the now-standard trapezoidal loudspeaker cabinet shape. Meyer Sound has pioneered other technologies that have become standard in the audio industry, including: processor-controlled loudspeaker systems, self-powered loudspeakers,curvilinear arraying, cardioid subwoofers, and source independent measurement.
Meyer Sound has consistently involved itself with advanced research beyond that connected to immediate product development, sometimes in conjunction with arms of the University of California, Berkeley. Some of this research has resulted in unusual products such as their parabolic sound beam and sound field synthesis loudspeakers. Other projects, such as the spherical loudspeaker research underway by Meyer Sound and CNMAT (Center for New Music and Audio Technologies) at UC Berkeley are still in the stage of pure research.
 

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Active: Powered. An active crossover is electrically powered and divides the line-level signal prior to amplification. An active speaker includes an active crossover and built-in amplifier.

Actuality: Audio from an announcer speaking.

Amplifier: A component that increases the gain or level of an audio signal.

Balanced Input: A connection with three conductors: two identical signal conductors that are 180 degrees out of phase with each other, and one ground. This type of connection is very resistant to line noise.

Bandpass: A two-part filter that cuts both higher and lower frequencies around a center band. A bandpass enclosure cuts high frequencies by acoustic cancellation and low frequencies by natural physical limitations on bass response.

Bandwidth: In audio, the range of frequencies a device operates within. In video, the range of frequencies passed from the input to the output. Bandwidth can also refer to the transmission capacity of an electronic communications device or system the speed of data transfer,is very important when planning a meeting for the attendees to stay connected.

Bass: Low frequencies those below approximately 200 Hz.

Bi-Wiring: A method of connecting an amplifier or receiver to a speaker in which separate wires are run between the amp and the woofer and the amp and the tweeter.

Boost: To increase, make louder or brighter opposite of attenuate.

Bridging: Combining two channels of an amplifier to make one channel that more powerful. One channel amplifies the positive portion of an audio signal and the other channel amplifies the negative portion, which are then combined at the output.

CD: Compact Disc. Ubiquitous digital audio format. Uses 16-bit/44.1-kHz sampling rate PCM digital signal to encode roughly 74 or 80 minutes of two- channel, full-range audio onto a 5-inch disc.

CD-R: Recordable Compact Disc.

CD-RW: Rewritable Compact Disc.

Channel: In components and systems, a channel is a separate signal path. A four-channel amplifier has at least four separate inputs and four separate outputs.

Coloration: Any change in the character of sound (such as an overemphasis on certain tones) that reduces naturalness.

Crossover: A component that divides an audio signal into two or more ranges by frequency, sending, for example, low frequencies to one output and high frequencies to another. An active crossover is powered and divides the line-level audio signal prior to amplification. A passive crossover uses no external power supply and may be used either at line level or, more commonly, at speaker level to divide the signal after amplification and send the low frequencies to the woofer and the high frequencies to the tweeter.

Crossover Frequency: The frequency at which an audio signal is divided. 80 Hz is a typical subwoofer crossover point and is the recommended crossover point in theatrical and home THX systems. Frequencies below 80 Hz are sent to the subwoofer signals above 80 Hz are sent to the main speakers.

Cut: To reduce, lower opposite of boost.

Decibel (dB): A logarithmic measurement unit that describes a sound`s relative loudness, though it can also be used to describe the relative difference between two power levels. A decibel is one tenth of a Bel. In sound, decibels generally measure a scale from 0 (the threshold of hearing) to 120-140 dB (the threshold of pain). A 3dB difference equates to a doubling of power. A 10dB difference is required to double the subjective volume. A 1dB difference over a broad frequency range is noticeable to most people, while a 0.2dB difference can affect the subjective impression of a sound.

Delay: The time difference between a sonic event and its perception at the listening position (sound traveling through space is delayed according to the distance it travels). People perceive spaciousness by the delay between the arrival of direct and reflected sound (larger spaces cause longer delays.

Diaphragm: The part of a dynamic loudspeaker attached to the voice coil that produces sound. It usually has the shape of a cone or dome.

Diffusion: In audio, the scattering of sound waves, reducing the sense of localization. In video, the scattering of light waves, reducing hot spotting, as in a diffusion screen.

Digital Audio Server: Essentially a hard drive, a digital audio server stores compressed audio files (like MP3 or WMA). Most include the processing to make the files, and all have the ability to play them back.

Direct-Stream Digital: A format for encoding high-resolution audio signals. It uses a 1-bit encoder with a sampling rate of 2,822,400 samples per second (verses 44,100 for CD). Used to encode six high-resolution channels on SACD.

Dispersion: The spread of sound over a wide area.

Distortion: Any undesired change in an audio signal between input and the output.

DNR: Dynamic Noise Reduction. A signal-processing circuit that attempts to reduce the level of high-frequency noise. Unlike Dolby NR, DNR doesn't require preprocessing during recording.

Dolby B: A noise-reduction system that increases the level of high frequencies during recording and decreases them during playback.

Dolby C: An improvement on Dolby B that provides about twice as much noise reduction.

Dolby Digital: An encoding system that digitally compresses up to 5.1 discrete channels of audio (left front, center, right front, left surround, right surround, and LFE) into a single bitstream, which can be recorded onto a DVD, HDTV broadcast, or other form of digital media. When RF-modulated, it was included on some laser discs, which requires an RF-demodulator before the signal can be decoded. Five channels are full-range the .1 channel is a band-limited LFE track. A Dolby Digital processor (found in most new receivers, preamps, and some DVD players) can decode this signal back into the 5.1 separate channels. Most films since 1992`s Batman Returns have been recorded in a 5.1 digital format, though a number of films before that had 6-channel analog tracks that have been remastered into 5.1.

Dolby EX: An enhancement to Dolby Digital that adds a surround back channel to 5.1 soundtracks. The sixth channel is matrixed from the left and right surround channels. Often referred to as 6.1. Sometimes referred to as 7.1 if the system uses two surround back speakers, even though both speakers reproduce the same signal. Software is backwards-compatible with 5.1 systems, but requires an EX or 6.1 processor to obtain additional benefit.

Dolby Pro Logic: An enhancement of the Dolby Surround decoding process. Pro Logic decoders derive left, center, right, and a mono surround channel from two-channel Dolby Surround encoded material via matrix techniques.

Dolby Pro Logic II: An enhanced version of Pro Logic. Adds improved decoding for two-channel, non-encoded soundtracks and music.

Driver: A speaker without an enclosure also refers to the active element of a speaker system that creates compressions and rarefactions in the air.

DSP: Digital Signal Processing. Manipulating an audio signal digitally to create various possible effects at the output. Often refers to artificially generated surround effects derived from and applied to two-channel sources.

DTS: Digital Theater Systems. A digital sound recording format, originally developed for theatrical film soundtracks, starting with Jurassic Park. Records 5.1 discrete channels of audio onto a handful of laser discs, CDs, and DVDs. Requires a player with DTS output connected to a DTS processor.

DTS ES: An enhanced version of the 5.1 DTS system. Like Dolby's Surround EX, a sixth channel is added. In some cases (DTS ES Discrete), the sixth channel is discrete. Software is backwards-compatible with 5.1 systems, but requires an ES or 6.1 processor to obtain additional benefit. Neo: 6 is a subset of DTS ES that creates 6.1 from material with fewer original channels.

Dynamic Range: The difference between the lowest and the highest levels in audio, it&'s often expressed in decibels. In video, it's listed as the contrast ratio.


Professional used lighting equipment.| Professional second hand lighting equipment.| Professional pre owned lighting equipment.
Professional used audio equipment.| Professional second hand audio equipment.| Professional pre owned audio equipment.
Second hand audio gear. | Second hand lighting.
Pro audio equipment, second hand amplifiers, DJ, second hand sound systems, second hand Microphones, second hand Media Players.
Outdoor & Indoor LED screens for sale, LED mobile truck.
Light trussing, Gebrauchte Veranstaltungstechnik, used stage equipment Stage & Theatre lighting products.

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